Walk: Tuesday errands
Distance: 4 miles
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| Frederick Edwin Church, (1826-1900), Rainy Season in the Tropics, 1866, @4.7' x 7', oil on canvas, FAM deYoung Museum, San Francisco |
The landscape painter Thomas Cole ( 1801-1848) wrote of his pupil, Frederick Edwin Church, that Church had "..the finest eye for drawing in the world." Since Cole was the founder of the renowned Hudson River School of landscape painting*, this was supreme praise. Indeed Church deserved to be set apart even from the most talented landscape artists for his abundance of rare talents: a business mind, a world traveler's adventuring energy, a scientist's vision of nature and the empressario showmanship of a P.T. Barnum.
By his mid-30's Church was the most famous American artist commercially and artistically. Not by accident. His sublime, heroic landscapes with technically accurate renderings of flora, fauna and atmospheric effects astounded audiences eager for visions of exotic, faraway landscapes. Church's travels ranged from New York State, to the Arctic and the Andes where he would make preparatory sketches. Returning to his studios on the Hudson River and 10th Avenue New York City, he built them up to a heady combination of religious awe, scientific inquisitiveness and lively fascination.
Then, with a few of his largest and most spectacular canvases, such as Rainy Season in the Tropics above, he put on well advertised single painting exhibitions in New York and Europe. Thousands of people would line up around the block and pay an entry fee to see the painting. The huge work's frame would be sitting on a stage floor draped in a curtain as the audience sat on benches sometimes using opera glasses to get a close view. When the overhead light from the skylights was just right, Church dramatically pulled the curtain back to instant and well deserved astonishment and immediate sale.
*An outgrowth of the Romantic movement, the Hudson River school was the first native school of painting in the United States; it was strongly nationalistic both in its proud celebration of the natural beauty of the American landscape and in the desire of its artists to become independent of European schools of painting.








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