Walk: yes, Hood in the cold
Distance: 3 miles
| JMW Turner, Venice at Sunrise from the Hotel Europa, with Campanile of San Marco, c/ 1840, watercolor |
What Monet saw were inventive ways of mixing of pigments, freeing brushwork, using color and capturing of mood. Basically, the overall elevation of landscape to a more meaningful level. Beyond that, one can only imagine what Monet was taking in, learning, electrified by. He had just begun to come to many of these techiques on his own in France, and here was a master. Suffice it to say, upon returning to France after his first stay in London, Monet abandoned all subject matter except the play of light in the outdoors.
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| Claude Monet, Impression, Sunrise, 1872, oil on canvas |

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